Most of Emily Dickinson’s poetry was found among her papers after her death. There are several versions (and revisions by other people) of many of Dickinson’s poems, and in some cases it’s difficult to determine which version Dickinson herself preferred or considered “final.” Dickinson did not give a title to her verses, but many collections today give them a title based on the first line; that is the convention used here. Many anthologies also standardized the unusual punctuation found in the original manuscripts. A picture of Emily Dickinson’s gravesite is located in The Banana Graveyard.
My life closed twice before it’s close My life closed twice before it’s close;
So huge, so hopeless to conceive,
I never saw a moor I never saw a moor,
I never spoke with God,
Because I could not stop for Death Because I could not stop for Death,
We slowly drove, he knew no haste,
We passed the school where children played
We paused before a house that seemed
Since then ’tis centuries; but each
After great pain a formal feeling comes After great pain a formal feeling comes—
The feet mechanical
This is the hour of lead
I taste a liquor never brewed I taste a liquor never brewed,
Inebriate of air am I,
When landlords turn the drunken bee
Till seraphs swing their snowy hats,
A Charm invests a face A Charm invests a face
But peers beyond her mesh—
Hope Hope is the thing with feathers
And sweetest in the gale is heard;
I’ve heard it in the chillest land,
Apparently with no surprise Apparently with no surprise
The blond assassin passes on;
Pedigree The pedigree of honey
Success Success is counted sweetest
Not one of all the purple host
As he, defeated dying,
Much Madness is Divinest Sense Much madness is divinest sense
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